Contact one of our dealers for the best service and pricing! The Peluso 22 251 is styled after the legendary AKG ELAM 251.

Contact one of our dealers for the best service and pricing! The Peluso 22 47 Limited Edition is styled after the legendary Neumann U 47 and employs a vintage EF12 Stahlröhren vacuum tube (valve).

Contact one of our dealers for the best service and pricing! The Peluso 22 47 SE 'Standard Edition' is styled after the legendary Neumann U 47.

Contact one of our dealers for the best service and pricing! The Peluso P-12 faithfully reproduces the clarity, openness, and top-end air that made the C 12 one of the world's finest vocal microphones!

Contact one of our dealers for the best service and pricing! The Peluso P-24 faithfully reproduces the clarity, openness, and detail that made the C 24 one of the world's finest stereo microphones!

Contact one of our dealers for the best service and pricing! The Peluso P-28 delivers the low-end performance of the AKG C 28 with the high-end qualities of the Neumann KM 54. To achieve an ultra quiet noise floor we introduced a FET amplifier stage prior to the tube amplifier stage. This hybrid FET-tube combination delivers the quiet and reliability of a FET with the warmth and character of a tube!

Contact one of our dealers for the best service and pricing! The Peluso P-49 is styled after the legendary Neumann M 49.

Contact one of our dealers for the best service and pricing! The Peluso P-67 is a faithful tribute to the 1960s U67, which improved upon the U47 with smoother highs, a solid bass and a rich mid-range.

Contact one of our dealers for the best service and pricing! The P-280 delivers an ultra-high resolution signal, crystal clear low noise-floor and vacuum tube warmth. The perfect combination for today’s demanding recording environments.

Contact one of our dealers for the best service and pricing! The Peluso TR 14 is a classic vintage-style ribbon microphone with classic long ribbon geometry in the vein of the early RCA microphones. The tube gain stage provides a much more gain than a passive ribbon microphone.  This allows for the use of very long cable runs and results in a mic that takes less color from  the preamp.