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Microphones
P-47 SS
Solid State Large Diaphragm Condenser
The Peluso P-47 SS is a large diaphragm condenser microphone styled after the legendary Neumann U 47.
A solid-state gain stage replaces the steel vacuum tube with a FET, providing a much lower noise floor and a cleaner sound overall. The P-47 SS has a wide dynamic range that is as capable of capturing subtle intricate detail as it is a crisp loud kick drum. It handles transients with a very quick and detailed capture, excellent for guitar and vocal work. This classic single back plate dual-diaphragm condenser capsule provides a unique bell shaped proximity effect. This can provide a low-end enhancement excellent for broadcast vocals. An on-board 75Hz low-end roll-off will temper this proximity effect when not desired. The Peluso P-47 SS is a rich detailed microphone with lots of character that will be a welcome addition to your microphone locker.
- Large Diaphragm Condenser
- Center Terminated Capsule
- Solid State Amplifier Stage
- Custom Wound Output Transformer
- Three Polar Patterns
- 10/20dB Pad
- Low-End Roll-Off
MSRP $1,469 USD
Microphone kit comes as a complete system including:
- P-47 SS Microphone
- Shock Mount
- Hard Mount
- Foam Wind Screen
- Locking Padded Flight Case
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P-47 SS Gallery
A closer look
Features
A few details that make the P-47 SS so special
A standard 3-pin XLR to connect to your cable
Through-hole component hand-soldered circuit board.
34mm Center-terminated condenser capsule
Custom wound output transformer
The P-47 SS comes with 3 polar patterns: omni-directional, bi-directional, & cardioid.
The P-47 SS comes with a 0 /-10 /-20 dB pad switched on the mic body.
The P-47 SS comes with a 75Hz low-end roll-off switched on the mic body.
The P-47-49 Pop Filter is a popular accessory with this microphone. Â A good pop filter will keep the capsule clean and reduce plosives.
Our 3-pin XLR cable can be purchased here: in purple-green P-G XLR Cable; or here in black-red B-R XLR Cable
P-47 SS Technical Info
Detailed specifications
P-47 SS Frequency Response
P-47 SS Technical Data
- Capsule Type: Condenser Pressure Gradient w/ 34mm, center terminated
- Frequency Range: 20Hz/22Khz
- Polar Pattern: 3 - omni, bi-directional, & cardioid
- Sensitivity: 12.5 mv/pa
- Impedance: 200 ohms
- SPL: 164 dB w/pad
- Equivalent Noise: 9 dB(A)
- Power Requirements: 48V Phantom Power
- Connection: 3-pin XLR
- Size: 59.5mm x 196mm
- Weight: 602g
Media
Our community of artists, engineers, and reviewers have been busy putting the P-47 SS through its paces. We present the following content to help you better understand the unique nature of this microphone.
P-47 SS YouTube Playlist
The P-47 SS was used on the following sources in this playlist: Â Isaac Hadden - male vocal; GOTE - male vocal.
Click the YouTube Playlist Icon in the frame to expand to see all the videos of the playlist.
Spotify P-47 SS Playlist
The P-47 SS was used on the following tracks:
- Little Mountain Home - male vocal, fiddle
SoundCloud P-47 SS Playlist
This selection of samples of the P-47 SS are examples of the microphone on a variety of sources. Â Please download these high resolution samples for listening in your own signal chain.
Reviews
Nothing captures the boom of a kick drum’s resonant head or the growl of a bass cab quite like a Neumann U 47fet… But since I mostly record at home, I never thought a U 47fet was worth the investment, especially if I’m only going to use it on only one or two sources. The Peluso Microphone Lab's P-47 SS completely changed my mind. It’s a highly versatile mic that shines in a host of applications, from hushed vocals to screaming guitar amps. While it retains all of the desirable sonic qualities of the original Neumann U 47fet, it adds several other features that make it a much more versatile mic.
-Daniel Ryan Morse, Tape Op issue 143 5-2021
Reviews
The P-47 SS is sonically big, bold and smooth, yet nicely clear and open. The main word I keep landing on to describe the top-end signature of the P-47 SS is dry. While the P-47 SS offers more top end than a U 47 FET, this is only noticeable when directly compared. The P-47 SS is clear and clean, but it’s not a bright mic. Side-by-side with the solid state Peluso P-414 (reviewed May 2019), the low-end capture of the P-47 SS is more forward and weighted, with a fuller, more forward midrange. You could say the P-47 SS is bolder and more forceful, while the P-414 is more open and polite. The P-47 SS also exhibits an excellently focused capture, with a bold proximity effect and swift yet smooth off-axis rejection, especially in Fig. 8 mode. The omni pattern opens the mic up more, maintaining the smooth top-end clarity but taming the low end, making it a great choice as a distance or room mic.
-Paul Vnuk Jr. RECording Magazine 5-2021
Cut Sheet
A one sheet .pdf you can save and share with the full description, features, and specification of this microphone.
Brochure
A .pdf brochure you can save and share containing cut sheets for all of the microphones we produce.