Our community of artists, engineers, studios and friends have been busy putting our microphones through their paces. We are proud of all the great work they have done with Peluso microphones.  Take some time to explore their stories!

♦ We are still in the process of rebuilding our community pages.  As we reach out to our friends we are looking to update these pages with their recent accomplishments.  If you are a Peluso microphone user we'd love to include you here too, Some of our existing members have been using their Peluso mics for quite some time, check back soon as we continue to update their profiles. ♦

Featured image for “Floyd Country Store”

Floyd Country Store

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The store is an incubator for local heritage music and dancing. Year-round you can count on music and dancing every Friday evening, Americana music every Saturday afternoon and a traditional mountain music jam every Sunday. Many Saturday evenings we feature an old-time dance or concert.
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Bryan Elijah Smith

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The CEMC-6 is as versatile as it gets. Whether they're being used for drum overheads in a live set up or in the studio, the smooth response tames the brittle timbre of any hit-hat or crash all while bringing out the punch of the kick drum & toms but most notably highlighting the warm, natural resonance of a snare drum. Throw a CEMC-6 on an acoustic guitar in the studio & you'll be immediately impressed by the 'true to life' sound that'll come out of your studio monitors on playback. So much so that adding or subtracting EQ will become a thing of the past.
Featured image for “Mark Capps”

Mark Capps

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"The 22 47 SE captures the sound of vintage amplifiers perfectly"
Featured image for “Jeff Oehler & Beehive Productions”

Jeff Oehler & Beehive Productions

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“The Peluso P-Stereo and SR-14 Stereo Ribbon are my go-to mics for recordings that require the depth and character of a live performance.”
Featured image for “Gene Bowlen & BeARcade Productions”

Gene Bowlen & BeARcade Productions

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The P-28s are my go to mics for acoustic instruments and drum overheads although the P-84s may take over some of these roles.
Featured image for “Rafael Pirela S (Rapirela)”

Rafael Pirela S (Rapirela)

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'I own and love my Peluso CEMC-6 stereo pair. I use them in my records on guitars, strings (as a mid mic on mid-side), brass, percussion, drum overheads, cymbals." -Rafael
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Ben Surratt

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"I used to covet vintage microphones, but that all went away when I discovered Peluso microphones. My Peluso mics capture what I need in the demanding world of acoustic recording. John Peluso's expertise is of great value to me, and I treasure our friendship. And I treasure his mics." - Ben Surratt
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Siegfried Meier

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"Peluso mics are hands down some of the best sounding, well built mics in the world. I’m a gear builder myself, and the quality of these microphones astonishes me." -Siegfried Meier
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Chris Sharp

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"Peluso Microphone's have been an essential part of our mic locker since the opening of my recording studio"
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David Arnold

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'Peluso microphones were the ONLY microphones used on the John Hartford “Memories of John” live recordings. They were extremely essential to obtain the pure and natural sound of the stringband.'