For the 22 47 SE, I kind of cheated and put in NOS RCA tube, making it a 22 47 LE, in effect. I am fortunate enough to have a small stockpile of these old tubes, and found that the microphone sounds great with either the factory Peluso tube or any number of NOS tubes. The microphone performs fantastically on vocals, acoustic guitar, cello, saxophone, you name it. It has a rich and warm bottom that isn't hyped, and enough detail and character in the top end to completely avoid any unnecessary processing after the fact.

"This is, hands down, my favourite mic! Every time I use this mic on lead vocals I am just so happy with the result. I run this through a Rupert Neve Designs Shelford Channel, and with just a little EQ and compression on the way in, I end up with a finished sounding vocal. Just add reverb."

"My Peluso 22 47 SE and one of my pair of 67's. These are absolutely true to the originals, only new. Kind of a "time warp" thing. They sound amazing! They were a big part of this new Aerosmith album I just produced and I plan on them being a big part of everything else I do. Thanks John," -Jack Douglas

The P-414, P-67 and 22 47 SE are amazing

"Man, this mic sniffs out so much incredible low-end magic. On the right voice, it's so, so great and it's also my favorite drum overhead."  -Steven Foxbury

'Understanding the importance of the tools used to make great audio recordings. I found myself gravitating to great sounding products. Products that would give me the same vision I had in my head of what I envisioned as a "great" recording or "great" production. My favorite experience with my Peluso 22 47 LE was after a vocal recording, I had to do nothing to the vocals to have it fit in the mix, because the microphone recording just sounded that great!' -Nicko Rebel 'If I were on a deserted island and had to carry one thing it would be my Peluso Microphone.' -Nicko Rebel

"Peluso 22 47 SE Microphone Using the Remote Pattern Selection with proximity changes there is nothing we can't do with these beautifully made Microphones. The noise floor has been greatly reduced from that of my old Neumann, which I can now stand down to the speculation vault." -Brian Ahern

"My Peluso 2247LE was used to record all of Ben Lee’s vocals and his acoustic guitar. Almost every song was based around a live take of him singing and playing at the same time and the 2247LE was positioned to capture this performance. Have a listen to the album: most songs begin with an intimate vocal and acoustic guitar with no effects. It’s a real showcase for the 22 47 LE microphone! " -Brad Wood

'Crunchy. Soft. Abrasive. Silky. Rough. Smooth. Whatever the intention, the P-12 delivers. I was looking for a workhorse. A microphone to capture the nuances of a male bass and an angelic female soprano alike. A microphone to glue the drum sounds together in a room while also maintaining frequency identities. A microphone to color tracks in the spectrum of the past while also bathing the sound in a new myriad. The P-12 is that microphone. I was hoping that the beautiful custom packaging and Peluso's attention to detail in service would be equalled in their product. My hope became a reality after discovering the unlimited potential of the P-12. If you're looking for transparency with a splash of color, I would say this is your microphone.' -Brian Tavener

"Peluso mics are hands down some of the best sounding, well built mics in the world. I’m a gear builder myself, and the quality of these microphones astonishes me." -Siegfried Meier