Our community of artists, engineers, studios and friends have been busy putting our microphones through their paces. We are proud of all the great work they have done with Peluso microphones. Take some time to explore their stories!
"My Peluso 22 47 SE and one of my pair of 67's. These are absolutely true to the originals, only new. Kind of a "time warp" thing. They sound amazing! They were a big part of this new Aerosmith album I just produced and I plan on them being a big part of everything else I do. Thanks John," -Jack Douglas
Bryan Elijah Smith
The CEMC-6 is as versatile as it gets. Whether they're being used for drum overheads in a live set up or in the studio, the smooth response tames the brittle timbre of any hit-hat or crash all while bringing out the punch of the kick drum & toms but most notably highlighting the warm, natural resonance of a snare drum. Throw a CEMC-6 on an acoustic guitar in the studio & you'll be immediately impressed by the 'true to life' sound that'll come out of your studio monitors on playback. So much so that adding or subtracting EQ will become a thing of the past.
Rafael Pirela S (Rapirela)
'I own and love my Peluso CEMC-6 stereo pair. I use them in my records on guitars, strings (as a mid mic on mid-side), brass, percussion, drum overheads, cymbals." -Rafael
♦ We are still in the process of rebuilding our community pages. As we reach out to our friends we are looking to update these pages with their recent accomplishments. If you are a Peluso microphone user we'd love to include you here too, Some of our existing members have been using their Peluso mics for quite some time, check back soon as we continue to update their profiles. ♦