The Peluso Community

"My Peluso 22 47 SE and one of my pair of 67's. These are absolutely true to the originals, only new. Kind of a "time warp" thing. They sound amazing! They were a big part of this new Aerosmith album I just produced and I plan on them being a big part of everything else I do. Thanks John," -Jack Douglas

The P-414, P-67 and 22 47 SE are amazing

The 22 47 provided me with the air, presence, fullness, warmth and fidelity I was looking for in my own voice that I couldn't find in other microphones, especially at this price point.

"Man, this mic sniffs out so much incredible low-end magic. On the right voice, it's so, so great and it's also my favorite drum overhead."  -Steven Foxbury

Howie has used the PS-1 for backing vocals on Elvis “Live” on Screen tour and the Maria Callas Hologram Tour in 2018.

The 22 47 LE is the perfect middle ground, warm, pristine high-end, a subtle, pronounced upper-mid, and a well-articulated, usable low-end.

'Understanding the importance of the tools used to make great audio recordings. I found myself gravitating to great sounding products. Products that would give me the same vision I had in my head of what I envisioned as a "great" recording or "great" production. My favorite experience with my Peluso 22 47 LE was after a vocal recording, I had to do nothing to the vocals to have it fit in the mix, because the microphone recording just sounded that great!' -Nicko Rebel 'If I were on a deserted island and had to carry one thing it would be my Peluso Microphone.' -Nicko Rebel

"The PS-1 is no joke and no exaggeration - the best sounding stage mic I’ve ever sang through. I’ve used it in theaters, festivals, good sounding clubs and a packed Red Rocks. The PS-1 represents the full spectrum of frequencies most accurately without too much or too little in any part of the spectrum. I own a nuemann ksm handheld, and to me the PS-1 sounds leagues better."

The CEMC-6 is as versatile as it gets. Whether they're being used for drum overheads in a live set up or in the studio, the smooth response tames the brittle timbre of any hit-hat or crash all while bringing out the punch of the kick drum & toms but most notably highlighting the warm, natural resonance of a snare drum. Throw a CEMC-6 on an acoustic guitar in the studio & you'll be immediately impressed by the 'true to life' sound that'll come out of your studio monitors on playback. So much so that adding or subtracting EQ will become a thing of the past.

The 22 47 SE picks up my voice and guitar so well. It’s amazing. It’s my main mic… Thanks so much.

I continue to be more and more enamored by the PS-1. I and the audience and actually hear all of my words clearly and easily and it gives a beautiful musical essence to our performances. I've been signing their praises to our friends and audiences, the PS-1 are going to go a long ways and I believe re-write the book!

"The 22 47 SE captures the sound of vintage amplifiers perfectly"