I love the peluso mic! I just finished my album The Kid - which I used that mic for all of the vocals.

I’ve for years been specifically requesting and tracking down vintage 414eb’s when building out mic packages and when I finally discovered the Peluso P-414 it was too good to be true. Peluso nailed the classic sound while also boasting an incredible build quality, a true workhorse that’s extremely road worthy. - Tanner Kinney

"This is, hands down, my favourite mic! Every time I use this mic on lead vocals I am just so happy with the result. I run this through a Rupert Neve Designs Shelford Channel, and with just a little EQ and compression on the way in, I end up with a finished sounding vocal. Just add reverb."

"Man, this mic sniffs out so much incredible low-end magic. On the right voice, it's so, so great and it's also my favorite drum overhead."  -Steven Foxbury

Howie has used the PS-1 for backing vocals on Elvis “Live” on Screen tour and the Maria Callas Hologram Tour in 2018.

The 22 47 LE is the perfect middle ground, warm, pristine high-end, a subtle, pronounced upper-mid, and a well-articulated, usable low-end.

'Understanding the importance of the tools used to make great audio recordings. I found myself gravitating to great sounding products. Products that would give me the same vision I had in my head of what I envisioned as a "great" recording or "great" production. My favorite experience with my Peluso 22 47 LE was after a vocal recording, I had to do nothing to the vocals to have it fit in the mix, because the microphone recording just sounded that great!' -Nicko Rebel 'If I were on a deserted island and had to carry one thing it would be my Peluso Microphone.' -Nicko Rebel

"The PS-1 is no joke and no exaggeration - the best sounding stage mic I’ve ever sang through. I’ve used it in theaters, festivals, good sounding clubs and a packed Red Rocks. The PS-1 represents the full spectrum of frequencies most accurately without too much or too little in any part of the spectrum. I own a nuemann ksm handheld, and to me the PS-1 sounds leagues better."

I continue to be more and more enamored by the PS-1. I and the audience and actually hear all of my words clearly and easily and it gives a beautiful musical essence to our performances. I've been signing their praises to our friends and audiences, the PS-1 are going to go a long ways and I believe re-write the book!

"The 22 47 SE captures the sound of vintage amplifiers perfectly"

“The Peluso P-Stereo and SR-14 Stereo Ribbon are my go-to mics for recordings that require the depth and character of a live performance.”

'I play high quality vintage acoustic instruments. It dawned on me that I should be playing into microphones of equal quality. I was very happy to find that some of the best mics on the market are made by Peluso right here in my home-state of Virginia. Since I've acquired the P-84, it has been my go-to mic for both mandolin and guitar. I was also very pleased to find that the P-84 reproduces an acoustic bass-fiddle most excellently. Until now, the bass has been one of the more difficult instruments to capture. I've also made a couple recordings with a stereo pair of P-84s and am very pleased with the results. Performing live and in the studio has instantly become more satisfying with the use of these Peluso microphones.' -Danny Knicely