Our community of artists, engineers, studios and friends have been busy putting our microphones through their paces. We are proud of all the great work they have done with Peluso microphones. Take some time to explore their stories!

FloydFest

Peluso Microphone Lab is a sponsor for two of the coolest programs at the best local festival anywhere, FloydFest! We sponsor the On-The-Rise program with a generous microphone give-away to the top two bands each year. We also sponsor and are the featured microphones for the FloydFest Bus Stop Sessions.

Steve Chadie

The P-414, P-67 and 22 47 SE are amazing

Steven Foxbury & Yellow Couch Studio | Management

"Man, this mic sniffs out so much incredible low-end magic. On the right voice, it's so, so great and it's also my favorite drum overhead."
-Steven Foxbury

Brain Ahern

"Peluso 22 47 SE Microphone
Using the Remote Pattern Selection with proximity changes there is nothing we can't do with these beautifully made Microphones. The noise floor has been greatly reduced from that of my old Neumann, which I can now stand down to the speculation vault."
-Brian Ahern

Bryan Elijah Smith

The CEMC-6 is as versatile as it gets. Whether they're being used for drum overheads in a live set up or in the studio, the smooth response tames the brittle timbre of any hit-hat or crash all while bringing out the punch of the kick drum & toms but most notably highlighting the warm, natural resonance of a snare drum. Throw a CEMC-6 on an acoustic guitar in the studio & you'll be immediately impressed by the 'true to life' sound that'll come out of your studio monitors on playback. So much so that adding or subtracting EQ will become a thing of the past.

Mark Capps

"The 22 47 SE captures the sound of vintage amplifiers perfectly"

Jeff Oehler & Beehive Productions

“The Peluso P-Stereo and SR-14 Stereo Ribbon are my go-to mics for recordings that require the depth and character of a live performance.”

Chad Brown

“Peluso microphones are top shelf microphones at any price. Of microphones in their price range, they are absolutely unrivaled.”

Danny Knicely

'I play high quality vintage acoustic instruments. It dawned on me that I should be playing into microphones of equal quality. I was very happy to find that some of the best mics on the market are made by Peluso right here in my home-state of Virginia. Since I've acquired the P-84, it has been my go-to mic for both mandolin and guitar. I was also very pleased to find that the P-84 reproduces an acoustic bass-fiddle most excellently. Until now, the bass has been one of the more difficult instruments to capture.
I've also made a couple recordings with a stereo pair of P-84s and am very pleased with the results. Performing live and in the studio has instantly become more satisfying with the use of these Peluso microphones.'
-Danny Knicely

Ben Surratt

"I used to covet vintage microphones, but that all went away when I discovered Peluso microphones. My Peluso mics capture what I need in the demanding world of acoustic recording. John Peluso's expertise is of great value to me, and I treasure our friendship. And I treasure his mics."
- Ben Surratt

Chuck Ainlay

"This is my new favorite, the Peluso P-12"
-Chuck Ainlay
"What a stunning microphone, the build quality is amazing. You've gotta hear it to believe it!"
-Chuck Ainlay

Chris Sharp

"Peluso Microphone's have been an essential part of our mic locker since the opening of my recording studio"
♦ We are still in the process of rebuilding our community pages. As we reach out to our friends we are looking to update these pages with their recent accomplishments. If you are a Peluso microphone user we'd love to include you here too, Some of our existing members have been using their Peluso mics for quite some time, check back soon as we continue to update their profiles. ♦