For the 22 47 SE, I kind of cheated and put in NOS RCA tube, making it a 22 47 LE, in effect. I am fortunate enough to have a small stockpile of these old tubes, and found that the microphone sounds great with either the factory Peluso tube or any number of NOS tubes. The microphone performs fantastically on vocals, acoustic guitar, cello, saxophone, you name it. It has a rich and warm bottom that isn't hyped, and enough detail and character in the top end to completely avoid any unnecessary processing after the fact.

We couldn't be more proud to support Red Wing Roots' work in bringing live music to our community for over a decade!

"KMR Berlin sent me P-280 and P-47 SS for tests.  P-280 great but too modern for me but P-47 SS? ... Holy Grail! I'm delighted. Of course it's mine already! Ready to mix machine. Powerful with a beautiful satin upper band. I am in love! :) For the wheezing Polish language it is an absolute revelation.  Thanks guys."

“I love my Peluso microphones. My P-87 and P-414 are used on almost every session I track and my PS-1 is now my go to stage vocal mic. Peluso mics are the perfect combo of vintage vibe and modern performance!” - Eric Wiggs

"Man, this mic sniffs out so much incredible low-end magic. On the right voice, it's so, so great and it's also my favorite drum overhead."  -Steven Foxbury

“The Peluso P-Stereo and SR-14 Stereo Ribbon are my go-to mics for recordings that require the depth and character of a live performance.”

'Peluso microphones were the ONLY microphones used on the John Hartford “Memories of John” live recordings. They were extremely essential to obtain the pure and natural sound of the stringband.'