For the 22 47 SE, I kind of cheated and put in NOS RCA tube, making it a 22 47 LE, in effect. I am fortunate enough to have a small stockpile of these old tubes, and found that the microphone sounds great with either the factory Peluso tube or any number of NOS tubes. The microphone performs fantastically on vocals, acoustic guitar, cello, saxophone, you name it. It has a rich and warm bottom that isn't hyped, and enough detail and character in the top end to completely avoid any unnecessary processing after the fact.

"I’ve for years been specifically requesting and tracking down vintage 414eb’s when building out mic packages and when I finally discovered the Peluso P-414 it was too good to be true. Peluso nailed the classic sound while also boasting an incredible build quality, a true workhorse that’s extremely road worthy." - Tanner Kinney. Tanner also works on tour as Beyoncé as Vocal Effects Engineer. He uses his P-414 for FOH capture at these shows!