For the 22 47 SE, I kind of cheated and put in NOS RCA tube, making it a 22 47 LE, in effect. I am fortunate enough to have a small stockpile of these old tubes, and found that the microphone sounds great with either the factory Peluso tube or any number of NOS tubes. The microphone performs fantastically on vocals, acoustic guitar, cello, saxophone, you name it. It has a rich and warm bottom that isn't hyped, and enough detail and character in the top end to completely avoid any unnecessary processing after the fact.

"I’ve for years been specifically requesting and tracking down vintage 414eb’s when building out mic packages and when I finally discovered the Peluso P-414 it was too good to be true. Peluso nailed the classic sound while also boasting an incredible build quality, a true workhorse that’s extremely road worthy." - Tanner Kinney. Tanner also works on tour as Beyoncé as Vocal Effects Engineer. He uses his P-414 for FOH capture at these shows!

"Man, this mic sniffs out so much incredible low-end magic. On the right voice, it's so, so great and it's also my favorite drum overhead."  -Steven Foxbury

'Understanding the importance of the tools used to make great audio recordings. I found myself gravitating to great sounding products. Products that would give me the same vision I had in my head of what I envisioned as a "great" recording or "great" production. My favorite experience with my Peluso 22 47 LE was after a vocal recording, I had to do nothing to the vocals to have it fit in the mix, because the microphone recording just sounded that great!' -Nicko Rebel 'If I were on a deserted island and had to carry one thing it would be my Peluso Microphone.' -Nicko Rebel

"This is my new favorite, the Peluso P-12" -Chuck Ainlay "What a stunning microphone, the build quality is amazing. You've gotta hear it to believe it!" -Chuck Ainlay