The Peluso Community
Our community of artists, engineers, studios and friends have been busy putting our microphones through their paces. We are proud of all the great work they have done with Peluso microphones. Take some time to explore their stories!
Matt Weston and Swamp Songs
"This is, hands down, my favourite mic! Every time I use this mic on lead vocals I am just so happy with the result. I run this through a Rupert Neve Designs Shelford Channel, and with just a little EQ and compression on the way in, I end up with a finished sounding vocal. Just add reverb."
Red Wing Roots Music Festival
We couldn't be more proud to support Red Wing Roots' work in bringing live music to our community for over a decade!
Jack Douglas
"My Peluso 22 47 SE and one of my pair of 67's. These are absolutely true to the originals, only new. Kind of a "time warp" thing. They sound amazing! They were a big part of this new Aerosmith album I just produced and I plan on them being a big part of everything else I do. Thanks John,"
-Jack Douglas
FloydFest
Peluso Microphone Lab is a sponsor for two of the coolest programs at the best local festival anywhere, FloydFest! We sponsor the On-The-Rise program with a generous microphone give-away to the top two bands each year. We also sponsor and are the featured microphones for the FloydFest Bus Stop Sessions.
Markus Dravs
'The 2247SE delivers me clean, warm presence both on vocals and instruments … as well as preserving body and depth … love it !!'
-Markus Dravs
Steven Foxbury & Yellow Couch Studio | Management
"Man, this mic sniffs out so much incredible low-end magic. On the right voice, it's so, so great and it's also my favorite drum overhead."
-Steven Foxbury
‘Howie’ Howard Lindeman
Howie has used the PS-1 for backing vocals on Elvis “Live” on Screen tour and the Maria Callas Hologram Tour in 2018.
Bryan Elijah Smith
The CEMC-6 is as versatile as it gets. Whether they're being used for drum overheads in a live set up or in the studio, the smooth response tames the brittle timbre of any hit-hat or crash all while bringing out the punch of the kick drum & toms but most notably highlighting the warm, natural resonance of a snare drum. Throw a CEMC-6 on an acoustic guitar in the studio & you'll be immediately impressed by the 'true to life' sound that'll come out of your studio monitors on playback. So much so that adding or subtracting EQ will become a thing of the past.
Chad Brown
“Peluso microphones are top shelf microphones at any price. Of microphones in their price range, they are absolutely unrivaled.”
Brad Wood
"My Peluso 2247LE was used to record all of Ben Lee’s vocals and his acoustic guitar. Almost every song was based around a live take of him singing and playing at the same time and the 2247LE was positioned to capture this performance. Have a listen to the album: most songs begin with an intimate vocal and acoustic guitar with no effects. It’s a real showcase for the 22 47 LE microphone! "
-Brad Wood
Kidd : R!ch
People always ask me what mic I use as the sound is almost unbeatable! I honestly don't know what I would do without it!!
-Richard Harris
Steve Stevens
I have had a chance to record with the P-67 finally. Wow. I was sent one of the new Supro reissue amp to demo, and your mic is capturing it brilliantly. Pretty much anywhere I place the mic, it sounds great…yet every distance creates another character. It's great being able to really play with the room ambience mix in the guitar sound. It really captures the "real" aspect of an amp.
Thanks,
Steve Stevens
♦ We are still in the process of rebuilding our community pages. As we reach out to our friends we are looking to update these pages with their recent accomplishments. If you are a Peluso microphone user we'd love to include you here too, Some of our existing members have been using their Peluso mics for quite some time, check back soon as we continue to update their profiles. ♦