The Peluso Community
Our community of artists, engineers, studios and friends have been busy putting our microphones through their paces. We are proud of all the great work they have done with Peluso microphones. Take some time to explore their stories!
Woosang Park at LOGOS
"Peluso microphones have played a pivotal role in my career.
Although I have used various microphone brands, including Neumann and Telefunken, I find Peluso to offer the most reasonable pricing with excellent quality."
Wooing Park has used the P-87 to record vocals on K-pop tracks that have received well over a billion YouTube views and almost 800 million Spotify plays.
Kaitlyn Aurelia Smith
I love the peluso mic!
I just finished my album The Kid - which I used that mic for all of the vocals.
Tanner Kinney
"I’ve for years been specifically requesting and tracking down vintage 414eb’s when building out mic packages and when I finally discovered the Peluso P-414 it was too good to be true. Peluso nailed the classic sound while also boasting an incredible build quality, a true workhorse that’s extremely road worthy." - Tanner Kinney. Tanner also works on tour as Beyoncé as Vocal Effects Engineer. He uses his P-414 for FOH capture at these shows!
Matt Weston and Swamp Songs
"This is, hands down, my favourite mic! Every time I use this mic on lead vocals I am just so happy with the result. I run this through a Rupert Neve Designs Shelford Channel, and with just a little EQ and compression on the way in, I end up with a finished sounding vocal. Just add reverb."
Steven Foxbury & Yellow Couch Studio | Management
"Man, this mic sniffs out so much incredible low-end magic. On the right voice, it's so, so great and it's also my favorite drum overhead."
-Steven Foxbury
‘Howie’ Howard Lindeman
Howie has used the PS-1 for backing vocals on Elvis “Live” on Screen tour and the Maria Callas Hologram Tour in 2018.
Devon Dawson
The 22 47 LE is the perfect middle ground, warm, pristine high-end, a subtle, pronounced upper-mid, and a well-articulated, usable low-end.
Nicko Rebel
'Understanding the importance of the tools used to make great audio recordings. I found myself gravitating to great sounding products. Products that would give me the same vision I had in my head of what I envisioned as a "great" recording or "great" production. My favorite experience with my Peluso 22 47 LE was after a vocal recording, I had to do nothing to the vocals to have it fit in the mix, because the microphone recording just sounded that great!'
-Nicko Rebel
'If I were on a deserted island and had to carry one thing it would be my Peluso Microphone.'
-Nicko Rebel
Daniel Rodriguez
"The PS-1 is no joke and no exaggeration - the best sounding stage mic I’ve ever sang through. I’ve used it in theaters, festivals, good sounding clubs and a packed Red Rocks. The PS-1 represents the full spectrum of frequencies most accurately without too much or too little in any part of the spectrum. I own a nuemann ksm handheld, and to me the PS-1 sounds leagues better."
David Pelta-Tiller
I continue to be more and more enamored by the PS-1. I and the audience and actually hear all of my words clearly and easily and it gives a beautiful musical essence to our performances. I've been signing their praises to our friends and audiences, the PS-1 are going to go a long ways and I believe re-write the book!
Mark Capps
"The 22 47 SE captures the sound of vintage amplifiers perfectly"
Jeff Oehler & Beehive Productions
“The Peluso P-Stereo and SR-14 Stereo Ribbon are my go-to mics for recordings that require the depth and character of a live performance.”
♦ We are still in the process of rebuilding our community pages. As we reach out to our friends we are looking to update these pages with their recent accomplishments. If you are a Peluso microphone user we'd love to include you here too, Some of our existing members have been using their Peluso mics for quite some time, check back soon as we continue to update their profiles. ♦