Jeff Laurence uses his P-12 to capture his familiar voice that is heard on over 120 great radio and television stations worldwide.

For the 22 47 SE, I kind of cheated and put in NOS RCA tube, making it a 22 47 LE, in effect. I am fortunate enough to have a small stockpile of these old tubes, and found that the microphone sounds great with either the factory Peluso tube or any number of NOS tubes. The microphone performs fantastically on vocals, acoustic guitar, cello, saxophone, you name it. It has a rich and warm bottom that isn't hyped, and enough detail and character in the top end to completely avoid any unnecessary processing after the fact.

"This is, hands down, my favourite mic! Every time I use this mic on lead vocals I am just so happy with the result. I run this through a Rupert Neve Designs Shelford Channel, and with just a little EQ and compression on the way in, I end up with a finished sounding vocal. Just add reverb."

"KMR Berlin sent me P-280 and P-47 SS for tests.  P-280 great but too modern for me but P-47 SS? ... Holy Grail! I'm delighted. Of course it's mine already! Ready to mix machine. Powerful with a beautiful satin upper band. I am in love! :) For the wheezing Polish language it is an absolute revelation.  Thanks guys."

"My Peluso 22 47 SE and one of my pair of 67's. These are absolutely true to the originals, only new. Kind of a "time warp" thing. They sound amazing! They were a big part of this new Aerosmith album I just produced and I plan on them being a big part of everything else I do. Thanks John," -Jack Douglas

The P-414, P-67 and 22 47 SE are amazing

The 22 47 provided me with the air, presence, fullness, warmth and fidelity I was looking for in my own voice that I couldn't find in other microphones, especially at this price point.

"Man, this mic sniffs out so much incredible low-end magic. On the right voice, it's so, so great and it's also my favorite drum overhead."  -Steven Foxbury

Howie has used the PS-1 for backing vocals on Elvis “Live” on Screen tour and the Maria Callas Hologram Tour in 2018.

The 22 47 LE is the perfect middle ground, warm, pristine high-end, a subtle, pronounced upper-mid, and a well-articulated, usable low-end.

'Understanding the importance of the tools used to make great audio recordings. I found myself gravitating to great sounding products. Products that would give me the same vision I had in my head of what I envisioned as a "great" recording or "great" production. My favorite experience with my Peluso 22 47 LE was after a vocal recording, I had to do nothing to the vocals to have it fit in the mix, because the microphone recording just sounded that great!' -Nicko Rebel 'If I were on a deserted island and had to carry one thing it would be my Peluso Microphone.' -Nicko Rebel

"The PS-1 is no joke and no exaggeration - the best sounding stage mic I’ve ever sang through. I’ve used it in theaters, festivals, good sounding clubs and a packed Red Rocks. The PS-1 represents the full spectrum of frequencies most accurately without too much or too little in any part of the spectrum. I own a nuemann ksm handheld, and to me the PS-1 sounds leagues better."