"The PS-1 is no joke and no exaggeration - the best sounding stage mic I’ve ever sang through. I’ve used it in theaters, festivals, good sounding clubs and a packed Red Rocks. The PS-1 represents the full spectrum of frequencies most accurately without too much or too little in any part of the spectrum. I own a nuemann ksm handheld, and to me the PS-1 sounds leagues better."

The CEMC-6 is as versatile as it gets. Whether they're being used for drum overheads in a live set up or in the studio, the smooth response tames the brittle timbre of any hit-hat or crash all while bringing out the punch of the kick drum & toms but most notably highlighting the warm, natural resonance of a snare drum. Throw a CEMC-6 on an acoustic guitar in the studio & you'll be immediately impressed by the 'true to life' sound that'll come out of your studio monitors on playback. So much so that adding or subtracting EQ will become a thing of the past.

The 22 47 SE picks up my voice and guitar so well. It’s amazing. It’s my main mic… Thanks so much.

I continue to be more and more enamored by the PS-1. I and the audience and actually hear all of my words clearly and easily and it gives a beautiful musical essence to our performances. I've been signing their praises to our friends and audiences, the PS-1 are going to go a long ways and I believe re-write the book!

"The 22 47 SE captures the sound of vintage amplifiers perfectly"

“The Peluso P-Stereo and SR-14 Stereo Ribbon are my go-to mics for recordings that require the depth and character of a live performance.”

“Got the Peluso P-414 due to a fierce love of the 70s and looking for something to add to my arsenal ... Secret weapon on guitars and wurly."

"My Peluso 2247LE was used to record all of Ben Lee’s vocals and his acoustic guitar. Almost every song was based around a live take of him singing and playing at the same time and the 2247LE was positioned to capture this performance. Have a listen to the album: most songs begin with an intimate vocal and acoustic guitar with no effects. It’s a real showcase for the 22 47 LE microphone! " -Brad Wood

The P-28s are my go to mics for acoustic instruments and drum overheads although the P-84s may take over some of these roles.

People always ask me what mic I use as the sound is almost unbeatable! I honestly don't know what I would do without it!! -Richard Harris

"I used to covet vintage microphones, but that all went away when I discovered Peluso microphones. My Peluso mics capture what I need in the demanding world of acoustic recording. John Peluso's expertise is of great value to me, and I treasure our friendship. And I treasure his mics." - Ben Surratt

"The Peluso P67 is the microphone I rocommnd for anyone who is in the studio. Whether it be a home or commercial studio, the P67 will give you that sweet sound you've been looking for" -Gary US Bonds